Vinyl
HALLMARK 1–4

HALLMARK 1-4
MARTIN HALL
7″ EP
APRIL 1997
THE PLANET (MOON03)
Hallmark 1–4 is an independent release that has nothing to do with Testcards 1989-1995 although the records were released simultaneously.
This 7″ single was issued by the underground label The Planet in a limited edition of 100 copies and contains a rare Dialogue recording (Martin Hall’s electronic 1980 duo with Per Hendrichsen) featuring Morten Versner from Ballet Mécanique on violin.
1. Untouchable (5:02)
2. Give Me a Reason (4:31)
3. Tears and Morphine (4:08)
4. The Missing War (6:04)
UNTOUCHABLE
From blood into ashes
A word in the night
I heard someone whisper that I’d passed the line
The scream of my heartbeat
It’s burning in cold anger by the things I hear
Blood into ashes
And in the night the rain keeps on falling
And in the streets the silence keeps calling
In the untouchable of each moment
In the untouchable of the silence
And in the night the rain keeps on falling
And in the streets the silence keeps calling
I’ve heard enough statements like “everything’s relative”
Go jump from a rooftop, there goes your philosophy
‘Cause the map they’ve made isn’t the landscape
Although nicely drawn
Over and over
Falling all over again
In the untouchable of each moment
In the untouchable of the silence
And in the night the rain keeps on falling
And in the streets the silence keeps calling
Tears of dust
Colours of the night
Words of chains
Memories of lies
Gonna break on through
Fantasies
Poisons taste like wine
In a dream
In a dream of time
The untouchable
Gonna reach the untouchable
GIVE ME A REASON
So give me, give me a reason
And give me, give me a dream
Now here’s a song for the broken hearts
It’s dedicated to pain
Another time and another place
But the story’s the same
I always read every bottom line
‘Cause everything’s got a price
A pretty face doesn’t last that long
I want to know what’s behind
So give me, give me a reason
And give me, give me a dream
The hallelujah of broken souls
Another promise to keep
I’ve had enough of the heart of blues
Time goes and rust never sleeps
TEARS AND MORPHINE
Like tears in the rain
They are fading away
No eye shall absorb the tear it cries
Each tear is a stream that purifies
Irma Victoria: Vocals
Martin Hall: Vocals, instruments
Morten Versner: Violin
Ole Hansen: Trumpet
Per Hendrichsen: Synthesizers
Tina Schæfer: Vocals
Design: Lars Julsgård Thomsen
The record presents four different aspects of Hall’s musical workings: The solo track “Untouchable” from 1989 followed by a NTT outtake from their 1993 sessions (“Give Me a Reason” featuring Tina Schæfer), then a re-recording from 1994 of Irma Victoria and the Hatebox Experience’s “Tears in The Rain” and finally “The Missing War” with Dialogue.
A TOUCH OF EXCELLENCE

A TOUCH OF EXCELLENCE
MARTIN HALL
LP/CD
OCTOBER 1993
PLADECOMPAGNIET (PCCD8059)
With the release of A Touch of Excellence Martin Hall enjoyed a massive second comeback in his career. After a period of rather obscure projects and collaborations, the single “Strange Delight” became a big radio hit and the album turned into a commercial success.
The second single “Angel of the Night” and the promo track “Rhythm of the Rota” received a fair amount of airplay as well.
1. Sweet Pain (3:54)
2. Rhythm of the Rota (5:26)
3. Strange Delight (4:27)
4. Angel of the Night (5:36)
5. Higher Reason (6:09)
6. Here Comes the Rain (4:59)
7. If Just for a Moment (4:50)
8. Changing Season (4:58)
9. Restless Spirit (4:04)
10. 3rd Music (0:51)
11. Seemingly Endless 3:43)
Aud Wilken: Backing vocals
Christian Skeel: Keyboards
Dan Stielow: Backing vocals
Fini Høstrup: Rhodes
Flemming Muus: Bass
Flemming Schiller: Guitar
Gbatokai Dakinah Jr.: Bass
Henrik Marstal: Bass
Henrik Tvede: Guitar
Hilmar Hassig: Keyboards
Jens Albrectsen: Piano
Jens Auhagen: Bass
Jens Brygmann: Drums
Jesper Ahrenburg: Percussion
Jimmy Jørgensen: Backing vocals
Jon Bruland: Bass
Jonas Johansen: Drums
Jørgen Bo Hansen: Synthesized guitar
Kenneth Agerholm: Trombone
Kenneth S. Nannberg: Keyboards, rhodes, organ
Kim Menzer: Didgeridoo
Lars Top-Galia: Guitar
Louise Engell: Backing vocals
Martin Hall: Vocals, drums, keyboards, guitar, percussion
Martin Lind: Guitar
Martin Zangenberg: Slide guitar
Niels-Henning Ørsted Pedersen: Double bass
Ole Hansen: Keyboards
Per Trolle: Piano
Peter Grønbæk: Keyboards
Peter Leander: Bass
Peter Solak: Guitar
Philippa Bulgin: Backing vocals
Sanne Gottlieb: Backing vocals
Soma Hammarlund: Cello
Søren Jacobsen: Guitar
Thomas Engell: Drums, piano
Thomas Li: Keyboards
Thomas Negrijn: Backing vocals
Thomas Ortved: Drums
Thomas Solak: Piano
Thor Backhausen: Keyboards
Thorsten S. Høeg: Saxophone
Tina Schæfer: Backing vocals
Torben Engberg: Rhodes, organ
Design: Birgitte Wester
Photo: Robin Skjoldborg
Since his highly popular Presence album from 1988 Martin Hall had released a series of fairly ambigious works, weird cassette tapes and Irma Victoria recordings – stuff that didn’t go down very well with the larger public. “Strange Delight” and A Touch of Excellence changed all that.
Collaborating with five co-producers and nearly 50 Danish top musicians – including the internationally renowned jazz-bassist Niels-Henning Ørsted Pedersen as well as several members of the Danish punk pioneers Sort Sol – it took Hall three years to complete A Touch of Excellence. As already stated the single “Strange Delight” became a huge radio hit that secured the album due attention.
Apart from the success with the record Martin Hall performed his first concerts as a solo artist for more than seven years during this period, taking him on his first Denmark tours ever – a minor club tour in the autumn of 1993 and the extensive Pandemonium tour in March and April 1994. He would later recall how much he disliked touring his native country, making sure he never repeated the experience.

ALL THE WAY DOWN

ALL THE WAY DOWN
THE WEDDING PRESENT/READ ONLY MEMORY
7″ SINGLE
JULY 1993
GUIDING LIGHT RECORDS (JEWEL 9)
This release is a double feature 7” single that was included in the Danish music magazine Adventure #9.
Side 1 of the release features a live recording of the English band The Wedding Present’s track “Blonde”, side 2 the otherwise unreleased Read Only Memory recording “All the Way Down”.
READ ONLY MEMORY

READ ONLY MEMORY
READ ONLY MEMORY
LP/CD
APRIL 1991
MIND AND MEDIA (MM2000)
Read Only Memory is a group name and an album made by Martin Hall and Aud Wilken. The project was entitled so in reference to the data concept, indicating that there was no access to the group. This meant that the duo gave no interviews and performed no concerts.
A few years later Aud Wilken gave Denmark its first top 5 appearance in 40 years at the International Eurovision Song Contest in 1995.
1. Sacrifice (5:28)
2. Coil of Love (3:08)
3. White Fever (3:37)
4. Sublimation (3:16)
5. Dividing Line (0:30)
6. Colour of the Moon (3:54)
7. Compulsion (7:13)
8. Sacrifice (Reprise) (3:49)
SACRIFICE
In the heart of the city
In the heart of the night
There’s a rhythm of reason
There’s a rhythm inside
Love is a sacrifice
It’s like a sacrifice
In the cries and the whispers
In the call of the night
Everything has its reason
And everything has its price
COIL OF LOVE
You
You’re on my mind
I looked and I found
I know you’re the one
You
You’re on my mind
My heart has gone blind
It only knows you
Now I’m my own person
And that’s so much that it’s a pleasure to share it
If the world was all empty
Then I don’t think I could bear it
It’s not that I wanna own you
It’s just that I wanna de-alone you
It’s not that I wanna hold you too tight
You
You’re on my mind
I looked and I found
I know you’re the one
Now I can remember
How my early days would be all insane
Going wild, to the limit
To get this feeling again
WHITE FEVER
There’s only one pain left in the mirror
There’s only one word left on the wall
There’s only one good reason for living
There’s only thing left to recall
It keeps me burning on
Like a fever
It keeps me burning on
Like a fire inside
Now here’s a song for the brain and the heartache
And here’s a song for the love on the way
We’re born alone in a world of tomorrow
We’re born alone but we ain’t gonna stay
It keeps me burning on
Like a fever
It keeps me burning on
Like a fire inside
It’s burning on
I see a face in the mirror, a face that I call me
I see the tracks in my face of the 20th century
I’ve got a pain deep inside, a pain that isn’t new
I got a scar in my heart of the things I’ve been through
Now there’s a bad moon rising, it’s rising on the sky
I got the angel of anger walking by my side
I’ve found a way to survive, a way to spend my time
‘Cause I’ve heard about the future and I’m gonna make it mine
COLOUR OF THE MOON
And I’m taking
And Im faking
And I’m waiting for my soul to awaken
Sudden taking
That’s why I’m faking
And I’m waiting for my thoughts to awaken
So don’t you wonder why?
I’m changing the ways now
And wonder why
I’m cleaning my heart know
And wonder why
I’m taking a step now
And wonder why
Honest like a core
Honest like a tune
Honest like the colour of the moon
‘Cause it stays, yea it stays
Clear as every truth
Clear as every leaf
Clean as any longing of belief
‘Cause it stays, yea it stays
So don’t you wonder why?
I’m cleaning my heart now
And wonder why
I’m taking a step now
And wonder why
I’m well on the way now
And wonder why
I’m healing my heart now
I wonder why
I wonder why
I wonder when
I’m gonna be clean again
COMPULSION
Tell the tale
Tell it one more time
Under my skin
Aud Wilken: Vocals
Martin Hall: Backing vocals, instruments
Design: John L. Christensen
Photo: Martin Hall
Read Only Memory’s work was based on Martin Hall’s production and Aud Wilken’s vocals and was the continuation of their collaboration since they recorded the song “Brainwash” for the The Hall of Mirrors music cassette in 1989. The duo also released the single “All the Way Down”.
Wilken has appeared on several Hall projects as both lead and backing vocalist. She performs several tracks on his 1990 album Imperfect and has contributed to the two Irma Victoria albums The Rainbow Theatre (1990) and Phantasmagoria (1994).

THE RAINBOW THEATRE

THE RAINBOW THEATRE
IRMA VICTORIA
LP/CD
NOVEMBER 1990
MIND AND MEDIA (MM1000)
The Rainbow Theatre is the Danish “diva” Irma Victoria’s debut album. The singer was 67 years old at the time of the release.
In the beginning of 1991 Irma Victoria astounded the Danish press and music industry by being nominated to a Grammy in the category “Best Female Singer” of the year – thereby duelling with high-ranking names such as multi-platinum artist Hanne Boel and Annisette from the legendary Danish rock group Savage Rose.
1. Life Is But a Dream (3:03)
2. The Avoi-Dance (4:01)
3. Rock Bottom (2:01)
4. Animal Culture (0:14)
5. The Abyss, the Void and the Beyond (3:04)
6. Pomp and Pathos (2:27)
7. European Need (2:59)
8. A Prayer for the World (4:24)
9. The Veil (2:55)
10. 2nd Drama Experience (0:44)
11. The Vision (3:00)
12. Honky-Tonk Feeling (3:14)
13. Cabaret of Silence (3:37)
14. Fight It (Part 1) (1:59)
15. Fight It (Part 2) (2:21)
16. The Monument (1:22)
17. Let Go (4:47)
18. Angels and Devils (1:37)
19. The Vortex (1:07)
20. Shine the Light on Me (3:33)
Aud Wilken: Backing vocals
Irma Victoria: Vocals
Martin Hall: Backing vocals, instruments
Ole A. Laursen: Backing vocals
Peter Westh: Backing vocals
Design: John L. Christensen
Photo: Family photo
Having sung cabaret songs during her younger years, a career in the Danish military ended this outlet. However, Irma Victoria’s love of singing made her reappear as a singer many decades later on the Martin Hall production The Hall of Mirrors, a music cassette released in September 1989.
Irma Victoria’s contribution, the “Memorial” song, was an unforgettable experience for most listeners. Encouraged by this success Irma Victoria took part in the recording of the 7″ ep Palladium in 1990, a process that led to the release of her debut album, The Rainbow Theatre, only a couple of months later.
In the beginning of 1991 Irma Victoria astounded the Danish press and music industry by being nominated to a Grammy in the category “Best Female Singer” of the year – thereby duelling with high-ranking music business stars such as multi-platinum artist Hanne Boel and Annisette from the legendary Danish rock group Savage Rose. Although Irma Victoria (obviously) did not win the trophy, she did manage to shock the system and gain a solid underground gathering by token of her vocal audacity.
When Irma Victoria died in 2000, 77 years old, several international artists expressed their grief with her passing. Among names such as Jean Pierre Turmel from the French avant-garde label French Sordide Sentimental and Martyn Jacques from the renowned English cabaret band The Tiger Lillies, the most fierce appraisal of her talent probably came from Douglas P., singer and front figure in Death in June, as he wrote the following in the cover notes for the posthumously released compilation album Memorial – Finest Moments and Famous Last Words:
“Her work was fantastic. May her soul live forever.”

PALLADIUM

PALLADIUM
MARTIN HALL
7″ EP
SEPTEMBER 1990
MIND AND MEDIA (PALLADIUM 1-2)
Palladium is a set of recordings made shortly after the release of the Martin Hall album Imperfect. Both titles resemble the modus operandi of The Hall of Mirrors music cassette from 1989, i.e. the various guest vocalists and theatrical manners involved on the recordings.
The 7” extended play-single was printed in a limited edition of 500 copies and the cover features a photo of a five or six years old Hall in something similar to a preparatory school uniform.
1. Palladium (1) (2:36)
2. Emotional Engineering (feat. Aud Wilken) (2:13)
3. End of the Line (3:50)
4. Composition (0:57)
5. Imitation (feat. Aud Wilken) (3:54)
6. Palladium (2) (feat. Irma Victoria) (3:26)
PALLADIUM (1)
Never thought I’d ever be myself
Thought I was within my prison-cell
‘Cause the window gave the view
That all to know was what I knew
Sharing weaknesses with so-called friends
In a game that’s called “it never ends”
Had to leave it all behind
In this Palladium
And I know you know it all
Behind mirrors, behind walls
In your Palladium
EMOTIONAL ENGINEERING
Hysteria moves inside me
Hysteria moves around
I need emotional engineering
I need emotional tuning inside
The luxury of pleasure’s inside me
The luxury of pleasure’s around
END OF THE LINE
The theatre of mind
The theatre of reason
Is haunted all the time
By the angels of anger
You can “do what thou wilt” in a self-love devotion
Feel intense in the pool of perverted emotion
At the edge of the knife
At the edge of the knife that divides
At the end of the line
The only measure is reason
IMITATION
Imitation
Stimulation
PALLADIUM
And in the night
The rain is falling down
As white on white
A flame is burning
As dust to dust
The faces disappear
A heaven lost
A shadow falling
In this Palladium
The crowds outside
They hunger for a dream
This time of night
Desires rising
A shadow cast
It falls in black and white
What can I do but to surrender?
Aud Wilken: Vocals
Irma Victoria: Vocals
Martin Hall: Vocals, keyboards, guitar
Design: John L. Christensen
Photo: Family photo

DREAMWORLD

DREAMWORLD
AND THEN AGAIN
LP
JUNE 1990
SNOG ROCK RECORDS (SNOG 1)
And Then Again was a short-term project conducted by Martin Hall and Henrik Möll, director of the 1990 Hall video release Audio-Visual and founder of the highly successful Club Mantra.
The group’s music was built on hard guitar riffs and sci-fi B-film inspired lyrics. The rhythm section of the band consisted of bassist Tolle Tolstoy (ex-Before) and drummer Thomas Langballe (ex-Darling Sect).
1. Sanatorium (3:45)
2. Denial of Pain (3:11)
3. Dreamworld Satan (3:51)
4. Psychoid (3:33)
5. Stamina (4:17)
6. Nightbreed (3:26)
7. End (3:37)
SANATORIUM
The sanatorium calls me
The sanatorium of truth
Sanatorium
Calling
DENIAL OF PAIN
Give me denial of pain
DREAMWORLD SATAN
Maybe I could
But I won’t
Maybe I should
But I don’t
‘Cause I hate it
It’s the dreamworld Satan
PSYCHOID
Psychoid
Schizoid
Chromozoid
A-void
STAMINA
Anima
What you got
Stamina
What you need
NIGHTBREED
Inter-illusion
Look at yourself
Hate and confusion
A ticket to hell
Nightbreed
Henrik Möll: Vocals, tapes
Lars Bo “Tolle” Tolstoy Jacobsen: Bass
Martin Hall: Guitar, keyboards
Thomas Langballe: Drums
Design: Flemming Nielsen
The rock constellation of And Then Again performed a series of concerts throughout Denmark in the autumn of 1989 (Odense, Aarhus, Roskilde and Copenhagen) during which the live material is recorded.
One more concert at the U-matic club in Copenhagen was given at the end of the year featuring the group as an electronic duo (Hall/ Möll). During this event several guests appeared on stage – Peter Leander performed on Tibetan bells and Aud Wilken sang backing vocals.

IMPERFECT

IMPERFECT
MARTIN HALL
LP/CD
MAY 1990
VIRGIN RECORDS (260798)
To some degree Imperfect was a continuation of the conceptual ideas behind The Hall of Mirrors music cassette released in 1989, in the sense that Martin Hall continued to work with other singers and use sound environments as much as regular melodies to create the flow of the album.
With recitations and theatrical sound effects the record successfully blended promo-single tracks such as “Prime Material” and “Between the Two” with audio scenes read by the Dutch scholar Stephen Muires.
1. Introduction (0:37)
2. System (3:55)
3. Interval 1 (0:29)
4. Prime Material (3:24)
5. Interval 2 (0:54)
6. Between the Two (3:47)
7. Another Chapter (3:52)
8. Red Room (4:14)
9. Masquerade (6:12)
10. Dies Irae (9:01)
11. Nocturne in Blue (3:46)
12. Segment (4:21)
INTRODUCTION
“Imperfect” is a Mind and Media recording originally entitled “Imperfect Music for an Imperfect World”. It is a soundtrack for 20th century reality and constitutes a theatre of reflection wherein each may enact their own part.
SYSTEM
City blood
The desires and the needs
Never last
‘Cause I’ll bite the hands that feeds
Pressure burns
Like a fire of demand
Dust to dust
In a now-here of command
I need a system
In the satori of the night
I need a system
In the exposure of the light
Rhythm beats
In my brain and in my blood
Tears of dust
But the pressures never stop
Fever burns
In the mania of the night
Turning point
In the circles of the light
I need a system
In the satori of the night
I need a system
In the exposure of the light
I can’t predict the future
I can’t forget the past
But at the point of no return
Only the either-or will last
PRIME MATERIAL
The alchemy of our time lies in the term “making things matter”. In a world where most people know the price of everything, but the value of nothing, this wisdom remains priceless – priceless, because it cannot be bought for money, but at the same time doesn’t cost anything. The “Prime Material” is possibility.
Modern life
So-called welfare
It lives inside you like a dream in the night
A sophisticated nightmare
It’s gonna blind you with its sweetest delight
Stimulus governs
Stimulus rules
It governs the trials
It governs the views
Prime material
Transformation of waste
Age of ice
Age of fire
And it’s been later than you think for a while
Living myth
The survivors
An inner freedom’s gonna start with denial
The self-pity ends where reason begins
The theatre stage is rice paper thin
Prime material
Transformation of waste
You’ll know yourself by the resistance
It either breaks you or it makes you stronger
BETWEEN THE TWO
Nothing rests, everything moves. Movement is symmetry, rhythm is void – that is, vacant in itself, beyond the elements which compose it. This is different to emptiness – this is plasma.
The serpent fire keeps burning in my blood
The driving forces, my defiance and my love
The river of time has washed my heart and soul
The inner fires are under my control
But it’s taken time
It’s taken so long
Love is a reason
Changing as it burns
Love is a moment
A now of no return
Beyond emotion
Closer all the time
A true surrender
In my heart and in my mind
All we see and touch is a scenery to pass
Within it all, we’re the first and we’re the last
Between the two
A changing reason
Between the two
The never ceasing
ANOTHER CHAPTER
Understanding is taking the consequence; not knowing all about it.
Ashes to ashes
And dust to dust
A fantasy world of omni-science
Heavens and ambitions
In showrooms of the mind
In another chapter of forgotten time
Faces disappearing in memory and mind
But you, you know it all in your identity design
Things are what they are, no matter what you feel
Endeavour is the key, not the mastermind ideal
And if you don’t agree
Well then you don’t agree
So come on little playtime Hitler
Forget your intellectual parades
There are no final solutions, only final denials
No need for vain display
I’ve seen your religion and I’ve seen your inner border
And my spit is more sacred than all your holy water
‘Cause it’s of flesh and blood
RED ROOM
Id-entity condensed, fix-fix-fix and a 3-numbered rhyme. Ignorance is no excuse. Ignorance is a self-chosen attitude.
Thing
Door
Free Power
Dog’s blood rising
MASQUERADE
Drama or Dharma, the dis-play continues. At the end of the line the only measure is reason.
As a witness to the shadows
Fingers search for time
While these patterns of deception
Guide our hearts and minds
I guess it’s all rite
I guess it’s ritual
But you pervert it with your lies
A modern symphony of end results is what’s looking through your eyes
The tragicomic shifts from person A to B
While you pomp and circumstance it with identity
Give us some erasure baby
Show us what you’re really like
In between the pressures rising from the crushed delight
So come on baby
I can’t wait for your yes and your no
Almost there
But semi-sensuals never touch
Almost there
Where far too much is not enough
So pick a word and sing a song
But do it now, because it won’t be long
Before we have to say goodbye
In this scenario of passing thoughts
You sing your self-reflection blues
But malfunction Malkuth baby
I know the tune
So give us drama baby
Give us all you never were
While you crawl around in mud
Begging for a choice
A bit of but will soothe the pain
A bit of something else
Although it’s much too late to ask
You can always try
So come on baby
I can’t wait
I want to rip you inside out
So welcome to the circus of hate
And welcome to the mind masquerade
Where semi-sensuals never touch
Where far too much is not enough
In the masquerade
Where lovers die by lovers’ touch
In the mind parade
Where far too much is not enough
NOCTURNE IN BLUE
”Nocturne in Blue” is written in the shadow of “Stardust”, a Reader’s Digest album release from 1963. The song has been recorded through a radio monitor to imitate the sound of this recording.
And as the stardust falls
Nocturnally yours
A moonlight serenade
Burning in blue
Wildfires burning on the hills not far away
Angels and devils on their yesterdays
Imagination or the kingdom of the fool
It’s all moving closer under blind men’s rule
But as the stardust falls …
SEGMENT
As one side is shown
The other is hidden
As one thing is known
Another is veiled
My love
All things are passing
In this world of moments in time
My love
I don’t know you
All I know is what I believe
Aud Wilken: Vocals
Henrik Möll: Vocals
Martin Hall: Vocals, keyboards, guitar
Stephen Muires: Narrator
Design: Birgitte Wester
Photo: Henrik Möll
The album also contains an excerpt from Hall’s Requiem, “Dies Irae”, a piece of music written for organ and performed live at a church in Copenhagen in December 1989. The title was dedicated to at the time recently deceased Presence co-producer Flemming Nygaard.
Imperfect was unanimously praised by the press but didn’t – obviously (in the light of its contents) – reach the same popularity as its predecessor, the chart album Presence. The promotion single “Prime Material” nevertheless received a fair degree of airplay.
In the same period of time Virgin Records also released the Audio-Visual videocassette, a collection of recent Martin Hall music videos (“Beat of the Drum” and “Real Thing”) as well as a series of coherent, more abstract visual works entitled The Point of No Return.

REAL THING 1989

REAL THING 1989
MARTIN HALL
7″/12″
JANUARY 1989
VIRGIN RECORDS (111940/611940)
“Real Thing 1989” was the second single to be released from Martin Hall’s hugely succesful album Presence that came out in September 1988. The single was remixed and released in both 7″ and 12″ formats entitled respectively “Discotheque” and “Broadcast” in the two various edits.
The 12″ version also featured a new track, “Theme”, a song for which the video was included on Hall’s 1990 Audio-Visual VHS release.
1. Real Thing 1989 (Discotheque) (5:32)
2. Theme (4:34)
3. Real Thing 1989 (Original Version) (5:35)
1. Real Thing 1989 (Broadcast) (4:41)
2. Real Thing 1989 (Original Version) (5:35)
REAL THING 1989
River deep, mountain high
Out of the blue
As pure as the real thing
The state and the feeling
It leaves me no doubt of what needs to be done
A thunder’s been raging
A choice has been taken
To never look back
To be one of the few
While all things must pass
A fire will burn, purify – never change
It’s seen in the sky
As there’s so much more to this than meets the eye
It’s something within
The longing inside is the drive that allows
The work to be done
River deep, mountain high
A shadow inside
In the light of a greatness from which none can hide
Out of the blue, into the fire
And I’m stronger than ever in my one surrender
A red storm arising
Now I know what I want
And I know how to get it
It’s calling within and without
As pure as the real thing
The state and the feeling
It leaves me no doubt of what needs to be done
A thunder’s been raging
A choice has been taken
To never look back
To be one of the few
I know it ’cause I feel it
I don’t need no further proof to believe it
There’s a guiding light
Burning inside out
As pure as the real thing
I return
In the light of the sun
A shadow is cast of a moment in time
Like turns of the tide
In the still of the night it begins
What is is to be
THEME
Regain your human rights
Surviving
The countdown
Face the fact
Born to die
Cut down to black and white
Love under will
REAL THING
I return
In the light of the sun
A shadow is cast of a moment in time
Like turns of the tide
In the still of the night it begins
What is is to be
While all things must pass, a presence remains
A fire will burn, purify – never change
It’s seen in the sky, it’s felt deep inside
As there’s so much more to this than meets the eye
It’s something within, it’s something without
The longing inside is the drive that allows
The work to be done
River deep, mountain high
A shadow inside
In the light of a greatness from which none can hide
Out of the blue, into the fire
And I’m stronger than ever in my one surrender
A red storm arising
Now I know what I want and I know how to get it
It’s calling within and without
As pure as the real thing
The state and the feeling
It leaves me no doubt of what needs to be done
A thunder’s been raging
A choice has been taken
To never look back
To be one of the few
I know it ’cause I feel it
I don’t need no further proof to believe it
There’s a guiding light
Burning inside out
As pure as the real thing
In this forum of time and of place
There’s a rainbow arising after the rain
As the sun melts the snow
The ice and the fire
Mountain streams overflow
Run down from the higher
And the water, it glitters like diamond
As pure as the light
Flemming Nygaard: Keyboards, cello
Lotte Grundlev: Backing vocals
Martin Hall: Vocals, keyboards, guitar
Tina Schæfer: Backing vocals
Design: Birgitte Wester
Photo: Robin Skjoldborg
Presence received excellent reviews. It was also the first Hall record to ever to enter the official top 20. The album is a crystalline pop production featuring catchy songs with grand-scale arrangements and epic, highly charged lyrics. The record was subsequently released throughout Scandinavia and Northern Europe where it also generated a line of great reviews.
Topping several reader polls and year lists in various Danish music magazines at the end of 1988, Martin Hall began to feel slightly alienated towards his new role as pop star. As a comment to this turn of events he wanted to release the remix of “Real Thing” with a new title, Surreal Thing. This didn’t go down well with Virgin Records at the time though and a compromise was made calling the new version of the song Real Thing 1989. However, when the track was included on his Catalogue box in 2007, it was finally called Surreal Thing.
The video stills are taken from Hall’s live appearance at the national danish television Friday night show Fluen in January 1989.




The recording of Presence were made using a Fairlight CMI music computer. The album is co-produced with Flemming Nygaard, former member of Under For as well as musician on Hall’s previous record, Cutting Through. He is also the pianist on the television stills above.
Nygaard was both a classically trained cellist and a highly gifted technician – all in all an invaluable aid to Hall in the making of Presence. When Nygaard tragically died in the late summer of 1989, Hall dedicated his newly written Requiem‘ to him, an organ concert performed at Taksigelseskirken (a church in Copenhagen) in December.

PRESENCE

PRESENCE
MARTIN HALL
LP/CD/MC
SEPTEMBER 1988
VIRGIN RECORDS (259309)
Presence was Martin Hall’s hugely successful comeback album after a two and a half year long retreat from the music industry. It features a fairlight production, recorded and assisted by co-producer Flemming Nygaard.
The release created a massive media hype and featured the hit single “Beat of the Drum”, a track that would become the most played Danish single on the leading radio station The Voice in 1988 (then and now the biggest commercial radio in Denmark).
1. Real Thing (5:37)
2. Beat of the Drum (4:54)
3. Penetration (4:31)
4. Intermezzo (6:00)
5. Magnum Opus (9:17)
6. Presence (12:20)
REAL THING
I return
In the light of the sun
A shadow is cast of a moment in time
Like turns of the tide
In the still of the night it begins
What is is to be
While all things must pass, a presence remains
A fire will burn, purify – never change
It’s seen in the sky, it’s felt deep inside
As there’s so much more to this than meets the eye
It’s something within, it’s something without
The longing inside is the drive that allows
The work to be done
River deep, mountain high
A shadow inside
In the light of a greatness from which none can hide
Out of the blue, into the fire
And I’m stronger than ever in my one surrender
A red storm arising
Now I know what I want and I know how to get it
It’s calling within and without
As pure as the real thing
The state and the feeling
It leaves me no doubt of what needs to be done
A thunder’s been raging
A choice has been taken
To never look back
To be one of the few
I know it ’cause I feel it
I don’t need no further proof to believe it
There’s a guiding light
Burning inside out
As pure as the real thing
In this forum of time and of place
There’s a rainbow arising after the rain
As the sun melts the snow
The ice and the fire
Mountain streams overflow
Run down from the higher
And the water, it glitters like diamond
As pure as the light
BEAT OF THE DRUM
Now one day I woke up to some rules of life
That a serious heart needs a light mind to survive
That if you only hope you won’t get very far
‘Cause dreams call for action
No matter what you want the way is to begin
‘Cause knowing all about it is not the living thing
And those who sit and ask for great things all the time
Well I hope they’ve sorted out the many small things on the line
A focus inside out
The still of the centre
You must live by demand
But also surrender
As the beat of the drum beats the ghosts on the run
So the beat of my heart keeps me wondering
Now it’s been said this world is a stage
Well then if that is true
It’s an unwritten play
That makes being a becoming
It’s so easy seen when it’s someone else
But are you any better when you’re by yourself
‘Cause in this hall of mirrors you’re in a counterpoint
Where it takes one to recognize one
Now there are those who say that life is hard and then you die
Well petty leads to pity if you do not wonder why
‘Cause the way to solve a problem is to get a bigger one
So to those who cry for freedom
Well there’s working to be done
PENETRATION
The cooler the game, the more it will run hot
The sharper the knife, the deeper it will cut
The more you hold on to, the more you will lose
The more you let go, the more you constitute
It’s so easy to criticize someone else
But if you’re superior why don’t you help
‘Cause knowing the truth in your head is a lie
If you aren’t in practice of it in your life
Solar plexus charge
Guided by the heart
As the silence rules
Before the storm
You’d better know what you’re into
You’d better know how to get out
What’s easy said’s always harder done
So rather small tries than big shouts
Cut down to black and white
Put all your views aside
And face the main thing
We’re in the same thing
There’s too much luxury
Too much hypocrisy
From penetration to revelation
Surviving the 20th century drain
Requires control of emotions and brain
So don’t have a drama but try to make sense
Of what’s going on in this world consequence
The rules of the game are as solid as rock
There are millions out there living in culture shock
Now one thing’s to see it, another to change
To know where you’re going, not just fight against
INTERMEZZO
Changeless
Beyond the point of return
Nameless
Written to whom it may concern
Fineness
Cast like a shadow of life
Timeless
Moment by moment, always now
The nearer the source, the purer the stream
The stronger the will, the more real is the dream
The truer the flame, the brighter it burns
The harder the fall, the stronger the return
For all as for none, for you as for me
You may feel alone but you never will be
All life is a wave that rises and falls
A part of the great sea in which it dissolves
All things
Rise in the light of the sun
Being
Meanings are many, reasons one
For years
Searching but too close to see
We’re here
And this is where we’re meant to be
The nearer the source, the purer the stream
The stronger the will, the more real is the dream
The truer the flame, the brighter it burns
The harder the fall, the stronger the return
For all as for none, for you as for me
You may feel alone but you never will be
All life is a wave that rises and falls
A part of the great sea in which it dissolves
And born under stars, in eternity
In all that has been, all that is, all to be
A feeling within still to be fulfilled
Of something inside that can never be killed
MAGNUM OPUS
River of life, salt of the Earth
We are the children of unseen worlds
In this arena the strongest survives
But only intact if they stay true to life
And touched by a sparkle, a cool fire burns
The flame is a guest but it has to return
To its kingdom
Its arising
To its source
The mystery lives in crystal and cell
Untouchable real as the heartbeat itself
The immanent life, an eminent line
A journey more directional than defined
A resonance ringing, a midnight sun burns
What’s said by the words is what silence confirms
The media of senses, of heart and of mind
In worlds of the moment, the past left behind
It leaves me all breathless, it feels so complete
The heavens so still and the Earth so concrete
And it calls me
In a whisper
In a scream
Like a shadow that’s cast from above
In this kingdom of flesh and of blood
A superior allowance rules
The Magnum Opus of life
Calling for some, knowing you’re there
Hiding away in own worlds, unaware
Living in darkness, living without
The beauty of life, of demand inside out
Now stop the self-torture of doubt and of fear
The fact that you are says you’re meant to be here
To feel weak costs nothing, to rise above does
A future is calling for each one of us
And if you don’t want it, then die on your own
I’m gonna proceed even if I’m alone
‘Cause I want it
More than ever
For us all
Reasons known, reasons still to be found
Where there’s will, there are ways, none without
A superior allowance rules
The Magnum Opus of life
And it calls me
In a whisper
And it calls me
In a scream
When all is said and when all is done
A moment alone will come to everyone
To make you consider, to make you see clear
What you have caused in the time you’ve been here
It’s beginning
So may each find what each seeks
PRESENCE
A diamond is shining but it’s empty in its inside
A crystallization providing a home for the light
Purified by the flame, only core remains
In the face of mass ignorance you can’t change the world
But you’re responsible at least for your own
The sound of children crying
The words of leaders lying
In this nightmare theatre of shock insensitivity
So everyone loves the talking
But when it comes to the working
I see an empty stage and everyone returned to fantasy
Now I’m not getting heavy, I’m just pointing out some facts
If a gun was put against your head, I think you would react
There’s an instinct to survive, a will to live
And don’t you think there’s a reason for such technology
Or do you take it all for nothing in your self-view luxury
‘Cause if you do, well really
Who do you think you are?
The rising sun drives back the darkness
The morning light exposes Earth
And here I stand within the realms of all to come
A tension inside
A feeling arising
Like a charge in the sky
The pressure before it bursts
The lightness when it has been released
A shadow is cast from clouds slowly passing
While summer rain’s falling
The sky opens up
And as I walk upon the face of Earth
Deep in my heart, a stillness undisturbed
In open fields, the wind carries the words
Within, without – a flame burns on this Earth
I’ve got the spirit, I’ve got the feeling
And I’ll be true to what I believe in
An inner greatness is my conviction
And it’s the sparkle of my resistance
I feel the promise within the longing
I’ve gone from being into becoming
And in this journey of my existence
My only statement is my persistence
From circle to spiral
From charge to release
From feeling to knowing
From the inside into the outside
A life is what it becomes as it goes through this world
Its appearance is its allowance, its kingdom the Earth
It’s a matter of seeing what it’s in the middle of
It’s a question of below before a question of above
A cool flame burning inside, it’s embodied in flesh
A radiation of divinity
I feel a fullness inside, I see the richness of life
I see the wounds slowly heal and it’s amazing to me
I see a newborn child, I see integrity
The small intensity in the enormity
I see a single flame give birth to thousand lights
I see the principle in its simplicity
A tension inside
A feeling arising
Like a charge in the sky
The pressure before it bursts
The lightness when it has been released
A shadow is cast from clouds slowly passing
While summer rain’s falling
The sky opens up
And as I walk upon the face of Earth
Deep in my heart, a stillness undisturbed
In open fields, the wind carries the words
Within, without – a flame burns on this Earth
I’ve got the spirit, I’ve got the feeling
And I’ll be true to what I believe in
An inner greatness is my conviction
And it’s the sparkle of my resistance
I feel the promise within the longing
I’ve gone from being into becoming
And in this journey of my existence
My only statement is my persistence
In the river of life, in the light of each day
Purified by the stream, purified by the flame
Inescapable
And unchangeable
From the fountain of life, from above to below
As the river runs down so the cup overflows
And you are what you are
All that you may become
Flemming Nygaard: Keyboards, cello
Lotte Grundlev: Backing vocals
Martin Hall: Vocals, keyboards, guitar
Tina Schæfer: Backing vocals
Design: Birgitte Wester
Photo: Robin Skjoldborg
Presence received excellent reviews. It was also the first Hall record to ever to enter the official top 20. The album is a crystalline pop production featuring catchy songs with grand-scale arrangements and epic, highly charged lyrics. The record was subsequently released throughout Scandinavia and Northern Europe where it also generated a line of great reviews.
As already stated, the album’s first single “Beat of the Drum” became a massive hit in Denmark and the song also attracted international attention. The album’s second single “Real Thing” became a minor radio hit in the first months of 1989.


The recording of Presence were made using a Fairlight CMI music computer. The album is co-produced with Flemming Nygaard, former member of Under For as well as musician on Hall’s previous record, Cutting Through.
Nygaard was both a classically trained cellist and a highly gifted technician – all in all an invaluable aid to Hall in the making of Presence. When Nygaard tragically died in the late summer of 1989, Hall dedicated his newly written Requiem‘ to him, an organ concert performed at Taksigelseskirken (a church in Copenhagen) in December.
